A film that combines all elements of modern filmmaking to create a stunning madcap of fire, sand, and carnage. Someone like Roger Deakins understands this, and while he uses digital cameras from ARRI with TONS of flexibility vs celluloid, he sets performs his. Not even a passing reference to Fury Road. Not saying that a list such as this shouldn't cover classics, but to have the most modern film on the list be from 1982, it feels like a kick in the face to films like se7en, birdman, inception, la la land, anything by wes anderson. Arri did an interview with the Academy Award winning cinematographer Sir Roger Deakins, wha. Yes, I love film, and in certain ways I find it better than digital, but in many ways I think exactly the opposite. To act like modern digital cameras are for some reason incapable of capturing stunning arrays of color and light is just such an old way of looking at things in my opinion. The video talks about Blade Runner and how it uses color (which is spectacularly, BR is a film that stands the test of time with it's stunning visuals), but what of the work of Guillermo Del Toro? The shape of water was a masterclass is color, lighting, and set design (the same could be said for Blade Runner 2049). No disrespect to any of these films, but I find that so many lists such as these entirely ignore modern filmmakers and their works. No mention of Roger Deakins, Emmanuel Lubezki, Rachel Morrison, Hoyte Van Hoytema, etc. So another list that decides to ignore modern films and digital cameras. What are the best examples of cinematography to you? The use of color to tell some of the story had me hooked on how color can play the role as a character in a picture or scene. I watched it a second time in reasonably quick succession and I discovered that what I was attracted to wasn't just Tautou, it wasn't a quaintly depicted Paris, but color. Yes, like most, I was enchanted by, and besotted with, Audrey Tautou. The first time I watched it, I really enjoyed the film but I couldn't understand why. However, I knew I loved it without pretense because I was a young teenager, and I hid that I watched it from everyone through embarrassment (though I can't recall why.) It became a popular film to say you loved some years later, though I suspect it's now gone the other way with experts in cinematography. However, I can remember the film that sparked my interest in both cinematography, and unconsciously, photography - or rather composition of frames. Few films ever breathe such rarified air, but even having a few scenes in which those words could be uttered will likely have the film immortalized by fans.Īlthough I have studied films to a lesser degree, I'm certainly a rank amateur in knowledge of the craft. "Every frame a painting" is a phrase often associated with great cinematography, and for many, is what one ought to aspire to when shooting.
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